Paper presented at 2010 JSWEC Conference. In the last decade marginalised groups have directly or indirectly utilised a range of creative and visual media to challenge dominant stereotypical and pathologised imagery and representations. Such 'outsider' perspectives have provided an alternative voice in a range of cultural contexts, from art in the street and installation to post modern 'sit down' comedy and contemporary music. In the author's role as a lecturer in undergraduate and postgraduate social work education a range of contemporary creative media have been used in and outside of the university environment to raise students' awareness of the ideological battle that is currently taking place in the 24/7 media that surround them.This has aimed to provide students with greater understanding of issues of power and partnership alongside a critical awareness of how authentic experiences of exclusion are being articulated. In the teaching of a 'Creativity and empowerment' unit,the author and students have worked alongside artists, poets and film makers who are engaged in changing perceptions and 'mainstreaming' perspectives that have previously occupied the position of being 'outside' most institutions. The paper will outline and critically evaluate how such a curriculum has been developed with the involvement of service users and been delivered to student groups over the last two years. A consideration will also be given to the use of creative artefacts to assess students knowledge and their ability to embrace the principles of participation in their consultative work with service users.